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" ... At this point in time, the only thing that Star Wars: The Last Jedi marketing needs to put forward is the notion that A) Mark Hamill gets stuff to do this time, B) Carrie Fisher gets more screen time and C) it’s not just a loose remake of The Empire Strikes Back. But that’s honestly only of concern to those of us who care about such things. As long as Rey, Finn, Poe and Kylo provide a mix of empowered heroism, complex villainy and sexual roleplaying material, moviegoers aren’t going to revolt if The Last Jedi is another bath in nostalgic waters. Although I imagine critics who indulged in the sugar rush last time (I say that sans judgment) will be a little less forgiving about retreads this time out. ... "
" ... He taps into the villainy of the zeitgeist, too: the baddies here are racist and representative of the evil patriarchy; all we'd need to hit a timely trifecta is to have them be social media trolls too. They're particularly stupid in many ways, going out of their way to make obvious their villainy, when even a hint of subtletly might have enabled plans to go off without a hitch, but that also plays into particularly black fears: these white people can be self-evident criminals engaged in evil, and totally mess up, but everyone will still give them the benefit of the doubt or look the other way. ... "
" ... I have a chaotic good alignment but a certain appreciation for villainy. In the eighties, I feared that in the future the villains would take over the community development corporations that would be enriched by the deals. Some of them seemed vulnerable to shenanigans. It did not occur to me that the dried husks of limited partnership interests from which all the tax benefits had been squeezed could have new life breathed into them by clever legal work. Of course the older deals based on deductions fueled by nonrecourse debt became toxic after they burned out. ... "
" ... There are many aspects to each film that are worthy of careful analysis, but the trilogy as a whole centers around a theme that warrants a particularly critical eye. Namely, the series rests on the implicit thesis that trauma/suffering/disability produce not superpowers per se, but villainy. Despite being a fan of the series as a whole, I find this thesis a troubling one to center an entire trilogy of films around. ... "