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" ... Is there a message he wants to tell the public and trade about their identity during the crisis? “Our wines are certified, the quality and safety of what is inside the bottles are undisputedly guaranteed. We strongly need the consumer to continue to support Pinot grigio stile Italiano which definitely is the same and safe wine they fell in love with. The public can follow us on our social network: we are working to explain how this wine is the one able to keep us together, in virtual aperitifs with friends, reading a book, having family dinner, relaxing, cooking new recipes and playing on pairings, waiting for everything to be over to finally have a real toast always with a glass of Pinot Grigio, all together, and not in front of a screen.” ... "
" ... What’s interesting about Swoon in relation to this often suffocating notion of identifiers is the fact that she began her career as an unsanctioned, guerrilla street artist, and was forced to hide her true identity out of legal necessity. This enabled the work to stand on its own non-gendered, non-racial, non-partisan legs. This is especially interesting as street art was absolutely a boys club, especially over fifteen years ago when she first started blasting BK with her trademark wheat-paste works. Since Swoon stepped into the public light, this hasn’t changed. You could remove her completely and the work would still shine-still have a cultural impact. This is not to say that we’re not all better off having Callie step out as a public figure to emerge as an undisputedly famous artist, just that the best art, the truly transcendent, should be able to function on its own. Swoon’s charity work now gets more exposure, of course, and her works have climbed considerably in value, but fame and fortune were never the driving impetus. It was always about bringing magic to a community, wherever that may be. When pressed to reflect on how she stumbled into this somewhat matriarchal role for a generation of diverse, working artists, Swoon had this to offer: ... "