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" ... Horror veterans Mick Garris and Joe Dante have given us some of Hollywood’s best nightmares and most iconic genre movies – Dante’s films alone have made almost $500 million at the worldwide box office, unadjusted for inflation. ... "
" ... Real Steel doesn’t feature wall-to-wall robot action, so it's not wall-to-wall special effects bleeding out of every corner of the screen. Other than the fighting machines, the movie pretty much takes place in the real world. Since the robot action is limited, the movie could scrape by on a budget that didn't demand $500 million worldwide to break even. By prioritizing character over spectacle, Real Steel was both cheaper and arguably better than it otherwise would have been. While the film didn’t break the bank at the box office, it earned $85.4 million domestic from a $27 million debut. It earned a strong $299 million worldwide, making it the third-biggest live-action sports movie in unadjusted global grosses behind Sandra Bullock’s The Blind Side ($309 million in 2009) and, ironically, Sylvester Stallone’s Rocky IV ($300 million in 1985). ... "
" ... The business media mentioned, only in passing, that the Initial Claims (ICs) data from the states’ regular unemployment programs rose 30K the week ended November 21st, from 748K to 778K. Not another word or any analysis. The data referred to are “seasonally adjusted.” As explained in past blogs, seasonally adjusting data created by non-seasonal events and economic shocks makes no sense. In fact, it can be outright misleading, as such events (shocks) are not seasonal (i.e., they don’t occur every year). The unadjusted data tell the real story. Using unadjusted data, we see that the state programs actually had a rise of +78K to 828K. ... "
" ... Three years ago, we became one of the first companies to disclose our unadjusted or “raw” pay gaps for both women and U.S. minorities. That one was a lot tougher, to be honest. The fact that we have a raw pay gap reflects a need to increase representation of women and U.S. minorities in senior and higher-paying roles, which we’re committed to doing. ... "
" ... With $73 million in ten days, it has already passed The Visit ($65m from a $25m launch in 2015) and The Happening ($64m/$30m in 2008). It'll pass Alien: Covenant ($74m in 2017) tomorrow and Cloverfield ($80m following a $46m Fri-Mon launch in 2008) sometime this week. Inflation notwithstanding, it'll pass Unbreakable ($95m in 2000) in the next ten days. If it merely legs like Ride Along 2 ($91.221m after a $58.6m ten-day total), it'll get to a respectable $113m domestic cume. And if it hangs on and gets to even $110m, that'll be a frankly respectable 20% drop from the $137m gross of Split. And, for what it's worth, a $115m+ cume puts it past the unadjusted total of The Village ($114m in 2004 from a $50m debut weekend). ... "