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" ... Even before the pandemic put the financial hurt on Disney, Blue Sky was not in peak strength. That’s not so much on the studio itself as the downturn of big-scale animation as a “go to the theaters” brand/franchise unto itself. It was just seven years ago when Rio 2 grossed $500 million worldwide right alongside Captain America: The Winter Soldier ($714 million), In early 2011, we saw a flurry of original or “new to cinemas” animated biggies, like Rango ($235 million on a $135 million budget, plus an eventual Oscar win for Best Animated Feature), Mars Needs Moms ($39 million/$150 million), Rio ($483 million/$90 million), Gnomeo & Juliet ($193 million/$36 million) and Hoodwinked 2 ($29 million/$30 million). In a sign of the times, the Disney toon was a disaster while Blue Sky’s Fox flick was a smash. ... "
" ... Position yourself for the big day. The first quest for Shadowlands calls you to your capitol city. Alliance, you want the front steps of the Stormwind Keep; Horde, you start in front of Grommash Hold. From there, you’ll be taking a portal to Icecrown, but you must complete the city quest first. Get a few crucial seconds ahead of the rush by logging out on your toon there, so you’ll be ready when those servers come back up. ... "
" ... The irony is that Dick Tracy was just one of a handful of 1990’s-era superhero disappointments that were fashioned like Burton’s film noir/pulp detective Batman flick but stumbled due to audiences not caring about the characters or the cast. Just because audiences wanted a Batman movie doesn’t mean they wanted The Shadow or The Phantom. We still see that today, where the success of Walt Disney’s Beauty and the Beast means that audiences wanted Beauty and the Beast, not that they will thrill to any live-action adaptation of any Disney toon. That’s why Dumbo bombed while Aladdin soared. It’s why Batman Begins, 15 years ago, was a buzzy hit but King Arthur, Robin Hood and Pan were flops. And just because audiences thrilled to The Avengers didn’t mean that they loved the mere idea of a cinematic universe. ... "
" ... The live-action remake of the 1991 animated smash stars Emma Watson as Belle, Dan Stevens as the Beast, and Luke Evans as Gaston. Like The Jungle Book, part of the gimmick is seeing various big stars (among them, Emma Thompson, Ewan McGregor, Gugu Mbatha-Raw, Stanley Tucci, Ian McKellen, and Kevin Kline) playing popular supporting characters from the original toon. ... "
" ... We’ll find out on Thursday what Disney plans to do about all of this. It’s all-but-certain that their lower-tier “live action remake” flicks (Emma Stone’s Cruella, Tom Hanks’ Pinnochio and David Lowery’s Wendy and Peter Pan) will head to Disney+ instead of theaters while (speculation alert) they’ll announce new MCU, Star Wars and “live-action remake of a toon” theatrical projects (like Barry Jenkins’ Lion King follow-up or Aladdin 2) to placate the theatrical industry. Meanwhile, Wonder Woman 1984 is now unfairly tasked with “proving” that WB’s entire 2021 strategy isn’t a colossal whiff. But Peackcock? Comcast is just chilling with their 26 million subscribers. No pressure... ... "