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" ... Muted guitars, dreamy synths, and minor chords give both of these songs a neon melancholy. It's also reminiscent of The Police. Julia Michaels joins Mendes here as co-writer and duet partner to great effect. They might not be the only artists influenced by Bruce, but this is surely one of his most affecting and underrated songs for inspiration. ... "
" ... One of the great secrets about hip hop is that it’s not defined by instrumentation and tone the way other popular music genres are. What makes the average listener go, “Oh, this is hip hop,” is when they hear rapping. That could be rapping over a sample. Over an original production of synths and computer-created bass lines. Or, anything, really. And that’s what makes hip hop so special. You can rap on top of whatever you want. From country music to rock to classical to turntable creations to utter and complete silence. ... "
" ... Sisk: Don't get me started, it's so good! I called Jack while I was editing the track, and was like, “This is about a rebound relationship, right?” Every single line is so smart and interesting. There’s such a natural key change, and the distorted horns sound like synths. ... "
" ... Then 1979's No. 1 in Heaven (an album worth owning in itself for the uninitiated) marked a 180-shift in which the brothers traded rock guitars for synths, and found a sympathetic collaborator in producer by Giorgio Moroder, hot off his work with Donna Summer. One could hear in the Studio 54-inspired tracks like “The Number One Song in Heaven” and “Tryouts for the Human Race” that Sparks were laying the groundwork for the New Wave in the 1980s. ... "