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" ... Djawadi: Samples can be a great tool for a demo to show people what something might sound like. And they've become so good that many of those sounds can be used for the final mix. But I always try to replace a sample sound with a live instrument. It's very special when a real musician puts human feelings into the melody. So it winds up being a hybrid of synthesizers, samples and live instruments. ... "
" ... I usually just tell them I play piano and write my own music and some of it is improvised, that I include synthesizers in my show, that I record albums. If people want to know more I might ask them, you know Chilly Gonzales? How about Max Richter? No…? You know Richard Clayderman? [laughs] ... "
" ... Once the virtual molecules have been identified, the next challenge is to synthesize these into real world compounds. Persson observes that the process of synthesis – and working with the synthesizers - often constitutes the next bottleneck in the process. ... "
" ... Sonically and visually speaking, WANYK is the most mature era of Slipknot. Everything is orderly fashioned yet disturbing, from their modernized stage décor and costumes, to how cohesive the album is structured. The direction and conformity of the 14 tracks, in conjunction with the band’s new cosmetic look, it all feels well intertwined with one another. The prolific use of synthesizers and atmospheric ambiance are a few welcomed surprises, but the album is most successful in its uniformed performances. The clarity between each individual instrument is unlike records previous, as each individual instrument has a balanced presence throughout songs, especially on the more electronic/sampled side to Slipknot. Every member continues to shine performance wise as well, with young blood drummer, Jay Weinberg, being a clear standout. ... "
" ... Theoracle comprises of 10 synthesizers in the form of pill-shaped light bulbs in varying sizes and hues that control distinct sounds emanating from invisible speakers. They surround a bright obelisk that manages the color and vibrations of a black pool in the foreground. “I wanted people to understand what it feels like to touch sound, and to hear light,” he explains. “Once they realize what they are affecting, people tend to operate them more slowly. It was designed to be inviting; for people to put their hands on.” ... "