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" ... "Those who have been to Casa Palopó know that being there feels like a dream. For me, Casa Palopó is more than that — it’s a paradise, a product of all elements of nature coming together in the most perfect form. When creating the playlist, I chose songs that convey that same energy you feel when you arrive in our little slice of paradise. It’s a combination of symphonies that come together beautifully — just like our Casa Palopó.” - Katina Jongezoon, Brand Manager ... "
" ... Burmeister is a $5800 option. Unless you want to build a custom system, the Burmeister sound quality ... [+] is beyond what most people can criticize. Very bright tones up high. If you enjoy music, particularly complex symphonies with subtle percussion elements or woodwind flourishes, the Burmeister is worth the investment. ... "
" ... Most pop music tracks can be identified with three pieces of information: the name of the song, the artist performing it and the album on which it appears. The same can’t be said for classical recordings, which are more clearly identified by the soloists, ensembles and conductors involved in their creation. This system also doesn’t account for the multiple movements that make up symphonies and other compositions. ... "
" ... One of the most prolific female composers, she managed to produce over two hundred works which include four symphonies, seven violin concertos, a piano concerto, a concerto for two pianos, a double concerto for viola and cello, and numerous chamber works which include seven string quartets and five violin sonatas. Her style, although she tried to eschew the classification, is largely neo-classical – the 1948 “Concerto for Strings” being a prime example of this pervasive element in Bacewicz’ style. It was given its world premiere by the Washington NSO in 1950 under its second music director, Howard Mitchell. Milton Berliner, reviewing for the Washington Daily News, reported: “Actually, there was nothing feminine about Miss Bacewicz’s piece. It was vigorous, even virile, with a pulsing, throbbing rhythm and bold thematic material [in the first movement]. It was either conservatively modern or radically classical. In any case, it was worth listening to…” It might sound somewhat patronizing to us, half a century later, but it’s obvious he meant well, he got the work’s character right and he was evidently, genuinely impressed. ... "
" ... “We are providing a turnkey solution for events regardless of industry: healthcare, higher education, not-for-profit—even weddings, sports, and symphonies," says Liberatore. "The opportunities are truly endless.” ... "