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" ... After a grim prologue and a curtain raiser that brings Newt, Tina and No-Maj bystander/would-be pastry chef Jacob Kowalski (Dan Folger) into each other’s company, the picture screeches to a halt. It spends ages establishing the existence of Newt’s “fantastic beasts” and the rules regarding their keeping and care. Moreover, we soon realize that the “gotta catch em all” chase is entirely secondary to the would-be dark magic that is causing chaos amid terrified New Yorkers. We also meet Tina’s spirited sister, Queenie (Sudol), who is sadly only around to give Jacob a love interest. But Sudol is given more to play than Waterson and Folger, leaving us with extraneous characters. Redmayne is charming and engaging as our new lead, but few others make much of an impression. ... "
" ... These tones, the beeps and screeches that make the emergency alert system so grating, are actually coded messages that tell devices like weather radios that there’s an alert coming through, what the alert is for, and which counties are included. When the radio hears your county included in an alert, a loud alarm will sound and the radio broadcast will click on and read the details of the alert out loud. It’s a fantastic resource that can save lives. ... "
" ... Three minutes downhill is the Church of Saint Roque, an example of Portuguese Rococo that struck THD as Rococo-a-go-go. Another few minutes lands you at Place Luis de Camoes, where you pick up one of the city's vintage treasures, tram number 28. This varnished-wood-and-metal relic--a cousin of the Ghirardelli Square trolley in San Francisco--screeches and scrolls its way across the city and up to the Castle of St. George. Take the 28 and you get the city in cross-section for 4,75 Euros. Tour the castle, savor the neighborhood around it (Montmartre came to THD's mind), walk back (the tram tracks are your breadcrumbs), and you'll have made room for dinner. ... "
" ... Walking around a 'Daliscape' is an ethereal walk around a virtual desert, almost tripping over the 3D images ahead while glancing behind and around in a disconcerting, but ultimately, satisfying amble. No screams, screeches or shocks, just a slow appreciation of Dali's nuances in a totally different world. ... "