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" ... Again, under the current volatile American parameters, the unending security needs of the couple will dictate some, if not all, of what we can call their quotidian movement. It's not as if they can, after all this water under the bridge, call the whole American thing off and retreat to Birkhall, Charles' house in Scotland. But Harry, for his part, has rarely been seen out of the house since his move from Vancouver. Before the hard going of the Covid-19 lockdown — as that was understood by California — really hit, the couple did, one day anyway, execute meal deliveries for a noble food charity selected by Meghan Markle. As a concession to the public health conditions within his chosen city, Harry wore a white bandanna over his face. ... "
" ... In his pursuit of the quotidian, Warhol became an artist of erasure. If he'd continued to live, would we even notice? ... "
" ... Ramirez’s installation, which consists of a 1951 Studebaker that has been transformed into an altar, is both an ode to his parents, and an embodiment of the American dream. The seemingly quotidian objects arrayed around the sculpture — a Clorox bottle, an accordion, a coffee carafe, a portrait of St. Christopher — hold deep personal meaning. The accordion in the installation is similar to the one that Ramirez’s father played — and the stickers of hearts, letters and sea creatures stuck on the back flank of the Studebaker are similar to the stickers Ramirez stuck on the accordion when he was 7-years-old, much to the chagrin and eventual delight of his father. The Clorox bottle reminds Ramirez of the way that his mother and aunts would marvel over the power of Clorox to fix any domestic disaster — as well as the spotless white dress shirts his father wore with pride. The Studebaker itself is similar to the one Ramirez’s father drove when he was 19. ... "
" ... Set for the most part in modern-day Montana, the stories feature characters that are decidedly un-hip, and in this way, they feel more realistic. They are disillusioned, their perception of themselves out of synch with cold, hard reality. In “Motherlode,” a man seemingly bored of his quotidian existence falls in with some grifters and is easily seduced by their lives and begins to dream about bigger things for his own (it doesn’t end well for him). In “The Casserole,” a seemingly solid man is slowly, meticulously revealed as a wholly unreliable narrator of the reality of the state of his marriage and his relationship with his wife’s family until, in the end, he finally—and shockingly—is made aware of what’s really been going on. ... "
" ... “People on the ground are far more adept at negotiating and navigating the world of payment gateways, online transactions, and credit card transactions,” Prasad proclaimed. “Debit card terminals and online payment apps are ubiquitous in quotidian life after demonetization. There is a significant cultural shift towards cashless, in my opinion, and that has been the social impact of this move, as even a fruit seller on a cart has a PayTM account. India has evolved.” ... "