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" ... Beyond the 30 rooms on Monkey Island itself, YTL’s investment includes a handful of nearby houses and cottages. One was the childhood home of racing driver Sterling Moss. Until recently, another belonged to Sylvia Anderson, co-creator of cult TV puppetry programme Thunderbirds. ... "
" ... Raimi took advantage of a larger budget to experiment with bigger effects, which undoubtedly served him well on future projects. They haven't exactly aged well, but they play a bit like Penn and Teller magic tricks: impressive even as you're blatantly being shown how they're done. Ash's fight with the monstrous Henrietta is very clearly a mix of stop-motion, rear-projection, puppetry, and man-in-suit effects, but the way it cuts all together, even when you think you can see the wires, is enough to put a smile on your face. It is less well served by 4K, however. In The Evil Dead, most of the effects are practical and effectively invisible, with the higher resolution exposing only some of the makeup seams. For Evil Dead 2, rear-projection and bluescreening become more obvious, and some shots remain super-grainy; the key scene of Ash getting his chainsaw hand and saying his soon-to-be-signature "Groovy" line is both grainier and more out-of-focus than other scenes. Only at the end of the shot does his face become fully sharp. ... "
" ... The city of Yogyakarta has a particularly fascinating government system - located within the Special Region of Yogyakarta, the tiny province is the only part of the nation that’s still ruled by a monarch. While the city is largely unknown outside of Indonesia, it’s a popular tourist attraction for native citizens thanks to its high level of human development and its affinity for Javan fine arts. Visitors to this vibrant city can experience traditional dance performances and puppetry shows before perusing Yogyakarta’s finest art museums, all before heading to the market for a taste of the city’s signature sweet cuisine. ... "
" ... Though now known to a more global audience, water puppetry has its roots in northern Vietnam, specifically its birthplace in the Red River Delta. Visitors can now see the authentic performance at a modern theater just north of the Hoan Kiem Lake. Puppets are controlled over the water by eight or so puppeteers hidden from view, in lively and entertaining short stories of ancient life, harvests, and mythical creatures. Most shows include the tale of Emperor Le Lo, who was given a mythical sword by the turtle god, Kim Qui, in order to defeat outside invaders. Kim Qui. Live music accompanies the play: typically an orchestra of bells, horns, flutes, drums, and a singer. Performances typically sell out early, so visitors are encouraged at purchase tickets ahead of time to secure prime seating. ... "
" ... “When we presented these puppets to Fuji TV, they were absolutely ecstatic. The puppets were so carefully made that they could even look like they rode bicycles in a really smooth way. After that point onwards, the work for Hirake! Ponkkiki exploded in terms of demand. To make this whole animation setup work, you had to cut quite a thick card to the desired shape, paint it and assemble it all together. It was effectively two-dimensional puppetry. That meant we needed an enormous number of people to help us make these. Luckily, Katoh was an art school graduate and he got us some help from a bunch of art school students, that meant Crystal Art Studio soon became filled with art school students. They were all artists and painters of one kind or another, so they weren't really very sporty and full of stamina. In short, the students would collapse and sleep on the floor from all the work. You couldn't even walk around the studio, as people were asleep on the floor. To add to this, Masahiro Noda, the producer of Hirake! Ponkkiki, was also a translator of science fiction and wrote his own science fiction stories. As such, when we wrote his own science fiction stories he wanted Katoh to do the illustrations. However, Katoh and the studio were already swamped with all the work from Hirake! Ponkkiki, that meant that Katoh was unable to take on this illustration job. Meanwhile, Takachiho was worried about Katoh being overworked, so Takachiho began to think that Katoh should be moved away from Hirake! Ponkkiki. ... "