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" ... Called "Leningrad," the symphony came to symbolize the Nazi resistance movement during World War II. By conducting this piece, Valery Gergiev--an ethnic Ossetian and maestro par excellence who performs with the London Symphony Orchestra, the Rotterdam Philharmonic and the Metropolitan Opera--propagandized the Russian "liberation" of South Ossetians from the cruel hands of their Georgian oppressors. ... "
" ... Corgan: Yeah, I guess the only way I would answer it without going too deep is the music seems to be grappling for a sense of freedom and somehow that's what I feel people are connecting to. In the band's case, freedom from the idea of what the band used to be or what the people think the band should be, maybe just getting around to what the band is and always has been, including us grappling with that and accepting it. There seems to be a relief like, "Oh good, you're just gonna play some music" (laughs). And on the bigger scale of what you're after I think that often times when you have a very confusing cultural overview, it's very messy and highly propagandized, things that ring with a certain kind of simple clarity...Neil Young is an artist that often comes to mind. When I'm really struggling with the world I'm living in I can turn to Neil. Bob Dylan is another example, where somehow the clarity of the tune with the clarity of the feeling rises above the fray and reminds people, "Oh yeah, that's what I'm fighting for. I'm not fighting the guy across the aisle necessarily about this stupid thing we're fighting for. What we're really fighting for is the higher ideal." And I do think that argument at least I still recognize, this greater American argument, which is, "What is America? What do we stand for? Who do we welcome in and why?" Those deeper arguments, which the country has gone in I think at least three times prior to this level of kvetching, we've always seem to come out the other side into something that has a little bit more moral clarity, including what it asked of the governmental institution in terms of being accountable. So if you can kind of hit that higher note and then you connect people to their own sense of dignity and their own story that tends to focus them on, "Oh yeah, this is what I actually care about." ... "
" ... One Child Nation begins with Wang sharing her own biography as a Chinese national who was born in 1985 and spent her formative years being propagandized by the Communist Party. Like many of the people she spoke to, including her own family members, she simply accepted the policy at face value. If the Party said it was right, then it must be right. But she also had a brother, born in 1991, which complicated her views. While she felt embarrassed to tell her classmates that she had a brother, she loved having a sibling. Later, after she'd moved to the United States and had a son of her own, she decided to look deeper at the policy she'd grown up with. ... "