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" ... Anyone who truly wants to engage with the challenge posed by Revolution #2 and be a part of evolving the medium of the "book" needs to take seriously the notion of digital-first content development. Being digital first means refusing to make the ebook version of your content an afterthought. The digital format of the book should not be merely a postproduction conversion of print-bound manuscript files; nor should it be an ex post facto "enhanced" version of content that has already been completed— for example, adding in a few video clips at the end of an otherwise static text. From conception to publication, true digital-first content is designed to take full advantage of the capabilities offered by dedicated ereaders, tablets, and smartphones to create something that is native to the platform. ... "
" ... He also notes that his series have long portrayed people of color—and women—in positions of power, including as judges, doctors and other professionals. One of his early police dramas, New York Undercover, had a Black showrunner and a diverse writer’s room, and starred Black actor Malik Yoba as Detective J. C. Williams, and Michael DeLorenzo as his Puerto Rican partner. Wolf Entertainment, which issued statements in support of #BlackLivesMatter during the crisis, has a longtime head of postproduction and executive producer on its shows, Arthur Forney, who is Black. ... "
" ... Pause the trailer at the 1:47 mark (see below), and you can revel in the curious phenomenon that is Wonder Woman's pits. The armpit area appears to have been manipulated in postproduction. ... "
" ... Shooting on location presented its own set of unique challenges, but the biggest struggle for the director, actors, and Mathieson was, perhaps, filming beings that didn't actually exist. How do you believably make it feel like Pokémon are present when, in reality, they'll be added by computers during postproduction? Well, you utilize stand-ins, be they human, animal, or inanimate stuffed toys. ... "