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" ... Amazon Burning, Wildlife photojournalism, single image category: A fire burns out of control in ... [+] Maranhão state, northeastern Brazil. A single tree remains standing. "a monument to human stupidity," according to the photographer who has been covering deforestation in the Amazon for the past decade. ... "
" ... Christiansen had experience taking good images dabbling in photojournalism and shooting nature, landscapes, and off-road racing. But macrophotography was new to him, so he took thousands upon thousands of exposures to hone his technique and editing skills. The investment in time has paid off, and just over a decade later Christiansen’s work has been seen in publications including High Times, Cannabis Now, and Skunk magazine, and he has shot for clients all over the West including cultivation operations in California, Nevada, Arizona, Oregon and Washington. ... "
" ... Mel D. Cole had spent years documenting the biggest stars of the era—people like Drake, J. Cole and Mac Miller—when he was tapped by A.S. Roma Football Club to shoot a match in Italy. Hooked on the sports world, the former music photographer returned to the U.S. and launched Charcoal Pitch F.C., the first Black-owned sports photography agency dedicated to creatively exploring soccer visually and educationally through a multiracial visual lens. Now fusing his hip-hop style with soccer photojournalism, Cole says he’s bringing the love of soccer to a broader American audience. ... "
" ... One of the world's best known photographers, Henri Cartier-Bresson, spent almost his entire professional life shooting with one camera: the Leica. He began taking photographs seriously in 1931, and finally stopped, more or less, in 1975. His career included work that helped jump-start modern photojournalism (along with contemporaries like Robert Capa and David Seymour, with whom he founded the legendary Magnum photo agency) and he traveled the world shooting everything from iconic portraits (his famous portrait of Gandhi was taken only fifteen minutes before the latter was assassinated) to documenting the last days of Beijing before it fell to the Communists. For his entire working life he used only the Leica rangefinder camera, and moreover, almost always used just one focal length; 50mm. The sheer austerity of his equipment paradoxically seemed liberating; he famously described the camera as "an extension of my eye." Before becoming a POW in 1940, he buried his Leica in a field in Vosges; he dug it up again after escaping in 1943 and went back to work. ... "