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" ... It earned $1.051 million yesterday and will probably make around $2.89m for the weekend for a miserable $1,682 per-theater average. Although it’ll outgross Where to Invade Next ($3.9m in 2015/2016) and thus become Moore’s biggest-grossing doc since Capitalism: A Love Story ($14.3m) back in 2009. It doesn’t mean anything for the political left any more than the under-$6m performance of Dinesh D'Souza’s Death of a Nation ($5.87m) means anything for the political right. Neither has much of a chance of changing any hearts and minds. Fahrenheit 11/9 a relic of a time when we thought that movies could actually make a difference. ... "
" ... It earned $3 million for the weekend for a miserable $1,804 per-theater average. Although it’ll outgross Where to Invade Next ($3.9m in 2015/2016) and thus become Moore’s biggest-grossing doc since Capitalism: A Love Story ($14.3m) back in September of 2009. It doesn’t mean anything for the political left any more than the under-$6m performance of Dinesh D'Souza’s Death of a Nation ($5.87m) means anything for the political right. Neither has much of a chance of changing any hearts and minds. Fahrenheit 11/9 a relic of a time when we thought that movies could actually make a difference. ... "
" ... Obviously, the film was painfully frontloaded and relatively disliked by critics and the masses. But I cannot look away from the irony that Batman v Superman is still going to potentially outgross nearly every movie released this summer and still be tagged not just as a disappointment but a pivotal disaster in modern blockbuster filmmaking. Once again, I ask somewhat rhetorically, how did we get here so quickly? ... "
" ... The sad part is, and this is the part where we all have to look in the mirror a little bit, most of us would have barely noticed if the first film was some original action thriller or original low-budget fantasy film or what-have-you. But because the film in question is a remake of a modern Chris Nolan classic, everyone pays attention. Sure, we'll decry it as the death of modern cinema or what have you, but everyone is covering it. Now the other side of this coin is that none of this free publicity matters if the film flops. But let's be honest. Assuming the film is completed at a budget comparable to the first film's $9m cost, and assuming AMBI is able to get it into wide theatrical release, there is a halfway decent chance that a PG-13 remake of Memento (because why not?) will outgross the original film's leggy $25m gross. ... "
" ... While the family-friendly fantasies grabbed most of the media attention (and box office bucks), two old-school adult entertainments did their thing as well. Clint Eastwood's The Mule is legging it past $100 million domestic from a $17.5m debut weekend, showing that the 88-year-old actor/director is still a viable box office draw when he's playing to type. Ditto, Jennifer Lopez in STX Entertainment's Second Act. The comparatively under-the-radar workplace comedy/family melodrama opened with just $6.4m but, as hoped, legged it all season long to a $37m+ domestic cume on a $16m budget. It was last month's leggiest "opened on a Friday" title and clearly did its thing for adult women and will outgross most of the year-end Oscar contenders. ... "