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" ... Nancy Wilson: That Bruce Springsteen song, "The Rising." I had seen him in New York in the Springsteen On Broadway show, back in the day when we used to be able to fly anywhere. I was so inspired by all of those songs, stripped down without all the production they used to have on the radio. And how incredibly stunning a lot of his lyrics were, his lyrics. And so I figured it would be a cool [way to] test out the mikes and figure out how to use my interface stuff to record with. Nothing fancy, just do a version of "The Rising" because it would be aspirational for a time like this, in a pandemic. Since it had been originally written for 9/11 and a lot of the loss that was going on then. Well there’s even more loss going on now, so I mean it would be comforting to people. And so that was where I started and then I kept going. "I should write something." So I wrote a song called, "We Meet Again." And then I kept writing more and kept writing more. And I went to my friend, Taylor Hawkins, because I’d done some singing on his album, Get the Money. It’s a great album. ... "
" ... There are several Google-able media about art. You can search artist, gallery, auction house and art media websites and podcasts. There are also YouTube and Vimeo. You will find everything from mind-numbing panel discussions to embarrassing open mikes. The unscripted, unmediated, beautifully edited approach to art conversations on Art21 is natural and unpretentious, providing easy access to art information. It is a rather simple formula that produces worthy profiles of the artists and/or insightful overviews of their recent projects. There are no curators, educators, critics or gallerists as interviewers, interfering with forthright artists and their artistic expression. Your eyes catch things, revealing moments, like a printed label on the backside of a Valeska Soares’s painting that reads, “This is a true story, although some names and details have been changed to protect the guilty.” As Bruce Nauman commented about his own video work, “. . . you can’t really watch any one part of the screen, or you’ll miss something that happens in another part. Cause it happens pretty fast, and it’s real short. So, you have to kind of not watch anything, so that you can be aware of everything.” ... "