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" ... Each performance will place select compositions within a thematic framework: mortal leadership and divine guidance; faith; justice; powerlessness and redemption; state of humankind; gratitude; abandonment; lamentation; security and trust; pilgrimage of life; celebration of life; and consequences of power. ... "
" ... Graham seeks to hold all of this work together by calling it “post documentary”, which he defines as photography “released from restrictive briefs and reductive narrative”. He claims that this has been made possible by the attrition of editorially-driven magazines that have historically supported documentary photography, combined with marginalization of documentary photography within the art world. Although his definition is so vague that the term is all but useless, and claims of attrition and marginalization are needlessly exaggerated, the finest photography in this exhibition – notably the work of Potter and Choi – overcomes the weakness of Graham’s premise and the risk that his lamentation of the good old days will promote artistic nostalgia. ... "
" ... To be certain, the sport of soccer does have a unique challenge when it comes to analytics. In being one of the lowest scoring sports in the world, low sample size of success (at least if measured by goals) and the apparent randomness with which it comes makes analysis of the sport perhaps the most difficult of those discussed within conference panels. Panelist Albert Larcada pointed out as much during Saturday’s soccer panel in an attempt to explain the difficulty in analyzing the sport and set realistic expectations for those in attendance. While there was minimal lamentation as heard in years past of the “proprietary nature of club data”, the amount of actual data or modeling results shared by the panel was still minimal. This makes retaining interest in the topic very difficult, as a sport already foreign to many of the conference attendees isn’t made any more relatable when most of the discussion is in generalities rather than tangible images or data on one of the two projected screens surrounding the stage. The conference should look to move the soccer panel from the relatively similar general discussions heard each year to one that fosters a real public discussion of soccer analytics replete with data and associated visualizations like those found on other panels. The latter would be found far more engaging by the conference’s attendees. ... "
" ... What lead me to this opera was also the influence of the German Expressionist movement called Die Blaue Reiter, especially the relationship between Kandinsky and Schoenberg who both shared very similar creative impulses and approaches within their fields. I was also captivated by the narrative of a single performer/character in the opera, Die Frau, and her subconscious states she experiences from love, hate, exhalation, fear, horror, anguish, lamentation. It is this feeling of lamentation that drew me towards one of the most powerful feminine figures in political history, Winnie Mandela. It is Winnie's cry, her lamentation and her anguish, for Nelson Mandela when imprisoned for treason that allowed me to develop a parallel narrative to Schoenberg's Die Frau. Even though expressionist music denies the individual identity of it's characters or performers, rather that they appear as humanist subjects, the similarities between the two women are indeed striking and has served as an inspiration for the set design and my artistic vision for this opera. ... "
" ... “It is as if we are positioned outside time and space, in a perpetual search for a missing part of ourselves. However, beyond lamentation and victimhood, we can transform the experience into an essential element of wholeness,” Begikhani says. “This is a painful, but yet enriching process, similar to that experienced by descendants of the Armenian and other survivors of genocide and forced exile.” ... "