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" ... I think Tim Page is absolutely right about the pop recordings. They stand out like sour thumbs. Fortunately, there are only a few. None are worse than “Together”, a schmaltzy-as-can-be album of duets with Plácido Domingo absolutely ghastly and – unless your tastes very particularly run into that direction (“not that there’s anything wrong with that!”) – sufficient to turn you off either artist. In “Previn: A Different Kind of Blues” and “It’s a Breeze”, the underlying idea is, well, Blues and Jazz. It’s an experiment but it sounds as if the other musicians just humored Perlman. Previn is also part of the Joplin album: The Easy Winners and other Rags. And that one – well, actually it’s quite catchy. Maybe a little stilted but with plenty of quaint charm. (Almost a shame, because I had a few juicy prejudiced adjectives ready.) And there’s a Saint-Saëns Carnival of the Animals which Perlman narrates. “Oh dear, there’s a piece I never need to hear again”, said Tim Page, slightly curmudgeonly, on discovering this (he was damaged by a few too many performances of this by Leonard Slatkin and the Labèque Sisters during his years covering the National Symphony Orchestra.) But it’s very cute. Perlman knows how to talk to an audience and how to get a laugh and how to make them giggle. His personality shines here (as it does in some of the music he recorded), and his personality is sunny, full of laughter, self-deprecation, and warmth… in short, it’s kind-of impossible not to love the guy. Perhaps it was an element of that, which resonated with crowds and laid the foundation his popularity. The same is true for Prokofiev’s Peter and the Wolf, also with Perlman in the narrating rôle. ... "
" ... While there is a lot of hate on social media right now, this good humored calling out of an elected official seemed to be almost unifying in some ways. ... "