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" ... Among the fine artists on the 2020 list: Tunji Adeniyi-Jones, 27, whose figurative paintings are inspired by his Yoruban heritage, Louis Fratino, 26, whose depictions of homoerotic love evoke the language of art history, and Ilana Harris-Babou, 28, whose parody of a Restoration Hardware video, “Reparation Hardware,” suggests a hypothetical reparations plan for the descendants of enslaved Americans. She showed in the 2019 Whitney Biennial and in a 2017 exhibition at the Museum of Arts and Design in New York. ... "
" ... I imagine that literary critic Leslie Fiedler (1917-2003) would approve of this development, whispering “I told you so” from beyond the grave. Fiedler rocked the literary world with his 1948 Partisan Review essay, “Come Back to the Raft Ag’in, Huck Honey!” in which he pointed out that a dominant archetype in American literature is the homoerotic love affair between two men who light out for the territory in order to escape civilization’s responsibilities and constrictions (and its women). Moreover, as Fiedler observed—even more controversially—these bromantic pairings tend to involve a young white man and a man of color: Huck Finn and Jim, Ishmael and Queequeg, Natty Bumbo and Chingachcook. These “mythic” relationships are always characterized by the “pure love of man and man,” offering the reader a model of “chaste male love as the ultimate emotional experience.” The love is of course always innocent; there “lies between the lovers no naked sword but a childlike ignorance, as if the possibility of a fall to the carnal had not yet been discovered.” Bromance! The OED should cite Fiedler. ... "
" ... Instead, the film opts to play things out via a series of bromances. You have the straight-laced, uptight character (Agent Lance) falling in with the rugged bad boy (John Stone). You also have an existing relationship built on years of trust (Chains & Ice) torn asunder when one of them (Chains) falls for the hot new thing in town (Stone). It’s a homoerotic dance of blood, sweat, and swears that culminates in heartbreak for some and a lasting bond for others, with John Stone at the center of it all in a finale that's even more over-the-top and bloody than you remember. ... "
" ... Turning the hashtag into a symbol of LGBT pride is certainly better than allowing it to remain in the hands of a hate group. However, it also shows a fundamental misunderstanding of how the Proud Boys market themselves - they have never been afraid of homoerotic displays of affection. That’s a bit of an outdated attitude, even for the alt-right. ... "