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" ... A dark web hitman was hired for a job to mutilate the ex-girlfriend of the buyer, but the woman was ... [+] saved from harm after European-wide investigation, according to the police. ... "
" ... LEON (1994) - Originally titled The Professional, Luc Besson’s taut hitman thriller pits Jean Reno and a young Natalie Portman against on-the-edge dirty cop Gary Oldman in one of his finest, and most frightening, roles. Thought the middle third does lag a bit, the last 20 minutes is as tense and exciting as a film gets. ... "
" ... Netflix has already proved its dollar-heavy math works when it comes to TV shows. It won Golden Globes for The Crown in 2017 and in January, The Kominsky Method, whose industry accolades spiked demand for that Netflix original series, according to an analysis by data firm Parrot Analytics. TV remains more popular on the service: 86% of all streams are for TV titles, compared with 14% for movies, according to New York-based analytics firm 7Park Data. But as the Oscar campaign suggests, Netflix is devoting increasing resources to film, such as by recruiting Martin Scorsese to bring his story of the hitman who confessed to killing Teamster boss Jimmy Hoffa to the service. ... "
" ... The motion picture debut of Natalie Portman, Léon: The Professional was written and directed by Luc Besson. It stars Jean Reno as a professional hitman who reluctantly takes in a 12-year-old called Mathilda (Portman) after her family is murdered by corrupt Drug Enforcement Administration agent Norman Stansfield, played by Gary Oldman. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns his deadly trade. Called Leon in the UK, and originally titled The Professional in the US and Australia, it was both a critical and commercial success making $46.1 million at the worldwide box office against a $16 million budget. ... "
" ... The question at the heart of Thunder Road and 87Eleven’s John Wick: Chapter 3 – Parabellum, opening courtesy of Summit and Lionsgate next Thursday night, is “Why bother?” That’s not a critical statement, but a thematic acknowledgment that we’re watching a man who probably deserves to die run, fight and kill for his life. You can (and perhaps should) enjoy this third chapter, in what the arguably the best “new” action franchise of the decade, on a purely visceral level. However, the screenplay, courtesy of Derek Kolstad, Shay Hatten, Chris Collins and Marc Abrams, doesn’t ignore the pivotal questions. Does John Wick deserve to live? Why does the famed hitman, who came out of retirement to avenge a puppy, continue to fight with so little left for which to live? ... "