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" ... A very different sound altogether is attained by playing the Well-Tempered Clavier on the instrument for which (most) of these pieces were intended, the two-manual harpsichord. In fact, it is a whole world of sounds that harpsichord offer, compared to recordings on the largely homogenous-sounding grand pianos, because each is so different from another. At one extreme of that diverse sound-world performs the French demi-god of early music, Christophe Rousset. ... "
" ... Guillotin didn’t actually design or build the device that bears his name, but he did serve on the committee that researched possible designs. The actual designer was another doctor, surgeon Antoine Louis, who collaborated with a criminal court officer and a harpsichord maker on the project. At first, people called the device the louisette – that was meant as a tribute to the surgeon, not a morbid reference to the king it would be used to kill in 1793. ... "
" ... In Venice the other day, we had the privilege of attending one of the world’s greatest experiences, which I highly recommend. It was a special concert by a nine-piece ensemble (including harpsichord) in which musicians and singers offered opera highlights – while outfitted in 18th-century costumes. I’m talking powdered wigs, breeches, buckled shoes, and aristocratic European dresses with wide hips and embroidery. The full effect was absolutely gorgeous – and I haven’t even gotten to the performances yet. Watching them was like seeing a Baroque painting come alive. ... "
" ... Quick historical skirmish, but back to 2017: Once the harpsichord had been carried off stage, clumsily like a coffin at a clown’s wedding, the soloist Daishin Kashimoto entered and turned towards said concerto. Now Diashin Kashimoto has a nice cushy orchestra job—arguably the most prestigious such job available: That of first concert master of the Berlin Philharmonic. That and he gets to enjoy the limelight as an occasional soloist with some very fine orchestras? “Sun-of-a-gun” I hear several struggling solo violinists and/or ambitious orchestra players exclaim in my vivid imagination. ... "
" ... Still, I did enjoy the game for what it was, and it’s hard to ignore the untapped potential. For instance, the voice-acting isn’t half bad, and there’s also the lovely soundtrack, which isn’t featured nearly enough but showcases warm string melodies, meandering harpsichord lines and blood-pumping orchestral runs. There’s also the little touches, like how Troll bends down to peer through a building’s doorway to see what Otto is up to, or even how Otto constantly comments on how bad Troll’s hygiene is. Granted, comparisons are sure to be made with the The Last Guardian or perhaps even the rather obscure Majin and the Forsaken Kingdom, but beyond some basic ideas, this dual hero legend manages to stand on its own. And that’s in spite of its obvious flaws. ... "