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" ... According to London-based Professor Jonathan Wilson, partner at global business and brand strategy agency Dragonfly Black, the shift is an evolution of the pre-occupation with authenticity and inherently connected to the ultra-vocal “swagger” of the everyman commentator on social media: “People have spoken for a while now about authenticity being the key component to a brand’s success. Brands have been heavily influenced by the hip-hop cultural phenomenon, which is built on keeping it real, remixing and breathing life into dead content, social commentary, swagger, embracing competition, cultural relevance, and pushing ghetto fabulous low culture in the faces of the establishment. Add to the mix the pull from social media to be opinionated, dynamic, tongue-in-cheek and witty and brands are taking a new tack.” ... "
" ... Champagne, and all types of sparkling wine, have long been suffering in the aperitif ghetto. They have, traditionally, been seen as celebratory wines to have before a meal. That role has been, thankfully, slowly evolving and lovers of the bubbles are growing more interested in how—and where—these wines are made. ... "
" ... In the decades since these stories were first published, social attitudes have changed in terms of how we discuss unpleasant events in history, especially with respect to teaching them to children. These days, you won’t find the Nazi symbol of the Swastika depicted in popular culture very much, because it is seen as inherently offensive and empowering of hate. Marvel has gone so far as to rewrite the history of World War II in its comics and movies to depict the fictional evil army Hydra as the motive force behind the events of the war. DC, in 1998, removed the word "Jews" from a story about Superman intervening to stop the Nazi destruction of the Warsaw ghetto, opting instead to identify the victims as "those classes the Nazis wanted to exterminate." ... "
" ... “Every day I wake up and feel like it’s unreal. It feels like a dream,” Carter says. “The people I do business with now, the tell me that if they hadn’t met me, they wouldn’t know how to feel about a kid from Flatbush. There’s a lot of stereotypes that come from being Black from the ghetto, but I like to shock people. I’m an executive, and an investor.” ... "
" ... “Mau-Mauing the Flak Catchers” tells the story—as representative of a central phenomenon in its own way as the piece on Noyce—of how, in the late 1960s, representatives of the “urban ghetto” shook down bureaucrats to get their hands on all the new welfare-state money. The preferred tactic was to intimidate—to “mau-mau” the bureaucrat, the “flak catcher.” ... "