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" ... About a month into the pandemic, I awoke excited to dedicate a full, meeting-free day to catching up on my to-do list and advancing larger work items. By the time I went to bed, I had accomplished exactly nothing. My plan was derailed by distraction, exhaustion, and a general sense of malaise. I felt guilty over the wasted time and anxious about the additional work frontloaded into the following day. ... "
" ... In a classic case of "rank doesn't matter," Walt Disney’s Dumbo was the top movie of the weekend even if its actual gross was a bit below expectations. A comparatively frontloaded (2.93x) opening weekend of $45 million (from a $15.336 million Friday) isn’t a disaster for Dumbo, but it is disappointing. The live-action remake of the 1941 animated classic, which puts the humans at the forefront, is essentially a grim character drama about a struggling circus getting swallowed whole by a much bigger circus. The title character, impressively rendered via CGI and appropriately adorable, is at best a supporting character in what turns out to be, in the wake of Disney’s purchase of Fox, a profoundly ironic would-be blockbuster. It’s either the least-self-aware movie in recent memory or, being optimistic, the most self-critical biggie since Colin Trevorrow’s Jurassic World. ... "
" ... Nonetheless, it is… amusing that Ant-Man and the Wasp and Coco gave audiences what they claimed to want and yet did merely “fine” in North America while soaring overseas and especially in China. There are variables at play, to be sure, like Coco opening right between Thor: Ragnarok and Star Wars: The Last Jedi and Ant-Man and the Wasp not closing out the summer alongside a Mission: Impossible sequel as was the case in 2015. And that Ant-Man and the Wasp nearly tripled its opening weekend despite a brutally frontloaded Fri-Sun debut may be worth future commentary. But for the moment, I will argue that it is North American audiences, not overall foreign moviegoers, who have something to prove when it comes to supporting diverse or inclusive blockbuster fare. ... "
" ... With around $99.5 million in domestic earnings as of yesterday, today’s the day that MGM and Warner Bros.’ Creed II passes the $100m mark at the domestic box office. That comes off a gangbusters $56m Wed-Sun debut (compared to Creed’s $42m Thanksgiving bow three years ago). So, yes, the sequel has been more frontloaded, but not by much. Creed 2 has earned 1.77x its Wed-Sun debut by its 23rd day while Creed had earned 1.96x its Wed-Sun launch ($82.8m) by the end of day 23. And, yeah, it is a sequel even more so than Creed which sold itself as a “new” movie and a Rocky VII. ... "
" ... With over/under $666 million by Thursday, it’ll pass Black Panther ($700 million in 2018) presumably on Saturday and (if it plays like Infinity War and not the much more frontloaded Civil War) end day 17 with around $745 million, or just below Avatar’s $760 million raw domestic total (counting the brief 2010 reissue). That would also put the Russo Bros.-directed blockbuster in 24th place in terms of inflation-adjusted grosses, between Jurassic World ($652 million in 2015/$717 million adjusted) and Fantasia ($76 million counting the reissues/$748 million adjusted) ... "