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" ... "I will not follow in the Austell court’s footsteps. The Austell court took a formalist approach to interpreting Georgia’s equivalent of CUFTA. Yet CUFTA is broadly written, seemingly to encompass a variety of novel and creative means by which debtors attempt to hinder, delay, or defraud creditors. [] 'Transfer' is 'every mode, direct or indirect, ... of disposing of or parting with an asset or an interest in an asset.' [] An asset is 'the property of a debtor,' and 'property' is 'anything that may be the subject of ownership.' [] Jon Pauling indirectly 'dispos[ed] of' his interest in Two Mile Ranch by causing Two Mile Ranch to destroy the value of that interest. ... "
" ... So when I got invited to another Savage Lepore Gallery showing at the couple's house in Amagansett, I got on the next bus (I mean, a night at a famous fashion designer's house in The Hamptons? I'd have to be an idiot to turn that down). In an utterly tranquil beach house setting, I was met with the work of three artists in a show also curated by Kara Brooks, this time entitled In Bloom. All the paintings were floral-based; beautiful renderings of simplistic pleasures in an environment where simplistic pleasure runs inherent (I mean, it's The Hamptons, so Jake and Dinos Chapman's war sculptures wouldn't make much sense now would they?). Brooklyn-based painter John Gordon Gauld, who also had work in Rose to Rose, is almost subversive in his rigid formalist approach to painting. While so many artists of his age are busy trying to create weird performance pieces that utilize Snapchat or Tinder, Gauld places his gaze towards subjects that are simple and muted, but undeniably beautiful. Though some of his paintings nod towards surrealism, his works in this show captured the intricacies and geometry of flowers in a vividly rendered manner. ... "