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" ... And this trailer makes it pretty clear just how the movie will take a whole bunch of disconnected spook stories and folktales and include some/many of them into a singular narrative. It’s a clever concept, not unlike Sony’s recent (and surprisingly good) Goosebumps movie from four years prior. That was a PG-rated scary story pitched at kids who could handle a little jump scare but not that much in the way of violence, intensity or gore. This “you opened the book and now the stories are coming to life!” flick, conversely, looks explicitly scary and gross. ... "
" ... Malzkuhn: Yes. We have a CoLabs program where we work and train teams in other countries to create bilingual storybook apps in their sign languages. It’s a cultural exchange program. Our goal is to have the teams build their own infrastructure. They need buy-in from the community, which means potentially funding sources as well. I work closely with the project leads, advocating for Deaf-led decision making and agency in development. Deaf children need to see and be exposed to leadership by Deaf people. I'm always fascinated with stories from other countries, their folktales, their cultural traditions. We exchange stories, and broaden literacy materials for deaf children. It’s one of my favorite parts of the lab. There are over 300 known sign languages around the world, so there is linguistic diversity out there that is entirely visual. It’s an added dimension to our humanity that’s rich and interesting. ... "
" ... Pete's Dragon is an excellent entry in Disney's catalog of live-action remakes, one of the two finest so far -- the other being The Jungle Book -- and the sort that makes you feel like a child again yourself. It has some joyful moments of thrills and laughter, moments of lump-in-the-throat sadness and heart, moments to cheer and moments to fear, moments of loss and many more moments of love. And as American folktales go, it's the best I've heard in a long, long time. ... "
" ... Thus, we have a rather rich story of how the QWERTY keyboard layout came about. I know that this information conflicts with the folktales of mechanical keys locking up because of the Bigram Frequency of key pairs. The fact is that it was very easy to cause keys to lock up for most of the history of the typewriter up until the IBM selectric ball system. One can argue that many other keyboard and type bar layouts could actually cause less key striker lock up. We can also argue other keyboard layouts were more practical, like the sequential alphabetical or later the Dvorak layout. But by the time these concepts came around or were reintroduced, it was too late, thousands of trained “touch typists” already memorized the QWERTY keyboard and the network effect and momentum were impossible to reverse. So to recap the confluence of reasons: ... "