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" ... As we all tend to have that concentrated face while working online (that tends to look very expressionless), and we are looking at headshots of each other, the most prominent tools you have to express yourself besides your words, are your voice, your facial expressions and gestures - so use them to your advantage! You’ll have to make your gestures a bit higher than you normally would to have them come into view of the camera (and it may feel a little silly ay first) but doing this is a really effective way of better communicating your message and keeping the attention of those you’re speaking with. ... "
" ... I’m fairly pleased Craig is returning; his depiction of the character really does seem like the kind of man who kills for a living, his dry wit serving as an essential coping mechanism. Craig’s expressionless face manages to, somehow, convey Bond’s deeply repressed inner torment without twitching an eyelid. His Bond, reserved, alcoholic, self-hating, is more authentically British than a steak and Guinness pie. ... "
" ... The Central Park video comes at a moment when two racially charged deaths of African American men have come to wide attention thanks to cellphone video footage. The shooting of Ahmaud Arbery in Georgia in February is being investigated by the Department of Justice as a hate crime. George Floyd died Monday night after a Minneapolis police officer was filmed kneeling on his neck during an arrest, while his fellow officers stood by, silent and expressionless; the FBI is now investigating. #BlackLivesMatter, #PoliceBrutality and #icantbreathe (referencing some of Eric Garner’s last words before he was killed by police during a 2014 arrest) also trended on Twitter on Tuesday. ... "
" ... The Vandal Gummy was first created in 2011 as a nostalgia piece for the artist. “At first, it represented the idea of innocence lost,” WhIsBe explains. The works feature a full-body portrait of an expressionless bear holding a Department of Corrections sign as if it were posing for a mug shot. The Gummy has undergone several iterations as a 2-D silkscreen on paper and a 3-D sculpture. ... "
" ... The adjoining galleries to the right and to the left have signature works in contemporary art. In one room are Allan McCollum’s cast Plaster Surrogates (sculptural stand-ins for paintings) and his sculpture The Dog from Pompeii. These are “impersonal, expressionless and insubstantial casts.” These endlessly reproducible, easily commodifiable works are paired with two Haim Steinbach installations. McCollum’s works cast in modified hydrocal simultaneously accentuate replication and the humility of material. Steinbach’s works reach into the tradition of the readymade and found object addressing ideas of "cultural-object-as-commodity." Another room pairs a Jimmie Durham assemblage with works by David Hammons, the conceptual artist who, at times, seems to be the inheritor of the sensibilities of Marcel Duchamp, Arte Povera and the wizardry of James Lee Byars. (Hammons described his studio activity as “tragic magic.”) To see six works by Hammons anywhere is a near miracle. This half dozen is stunning, unforgettable. Hammons takes what he finds and transforms it into something deeply thought provoking and often touching. These three rooms are just the beginning. ... "