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" ... Neither one of these is an optimal choice, since quarantine has a large number of negative consequences. For one, it's enormously disruptive to people's daily lives, to their jobs and careers, to their families, and to the economic functioning of a city, country, or even the entire planet. For another, it pretty much dooms the entire quarantined area to an inevitable infection, particularly if the value of R0 is on the large side. ... "
" ... That’s the irony of all of this, come what may. Batman v Superman: Dawn of Justice may be great and may be huge, or it may be terrible and may be a relative financial failure. But what grand unfortunate irony it would be if the film didn’t click with audiences for the very reasons that made it unique and special, and the very thing done out of potentially short-sided/short-term interest (turning a Man of Steel sequel into a Justice League prologue) is the very thing that dooms us all. I don't worry that Zack Snyder made the equivalent of Joel Schumacher's Batman & Robin, but rather that he made another would-be The Lone Ranger and that I'll have to spend the next five years defending it just as I still defend Gore Verbinski's undervalued gem three years later. How good it has to be and how much money it has to make may turn out to be two mutually exclusive things in the end. And while it doesn't have to make $1 billion to be a hit, that's for another day. Wowsers, the next six weeks are going to be fascinating to watch. Here’s to hoping for the best. ... "
" ... The faster Murray’s guy can get back in front of him, then, the better. A slow recovery dooms them even if Gobert’s positioning is pretty much perfect. ... "
" ... We can clearly see how this has happened, around the world, and here in the United States. Withholding testing is classic denial behavior — it surely does not help us address the crisis faster or better, and in fact dooms us to not doing everything we can to address it early. ... "
" ... Yes, it’s a case where the thing that makes the movie artistically interesting also dooms it commercially. Think, offhand, Birds of Prey (being an R-rated Harley Quinn flick) or Solo (being a distinctly non-event sci-fi western/heist caper studio programmer that happens to exist within the Star Wars universe). Nonetheless, the sheer size of Rhythm Section’s failure is somewhat astounding. The film opened with just $2.715 million in February of this year, the lowest debut ever for a 3,000-plus screen release. And when a movie opens this poorly, the legs tend to be non-existent. The film’s eventual $5.437 million domestic cume is lower than any 3,000-plus theater multiplex release. ... "