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" ... And it comes out and it's completely edited to manipulate the storyline and made me look arrogant and ditzy. They showed the judges and the audience showing negative facial expressions. The magic was lost. ... "
" ... I keep thinking, too, of the attacks leveled against Alexandria Ocasio-Cortez that attempt to dismiss her as a ditzy teenage girl or, to directly quote Congressman Ted Yoho, “a f****** b****,” and of decades of attacks against Hillary Clinton for somehow being both not woman enough (“She kept her own last name AND law practice AND won’t even bake cookies!” “Such a nasty woman!”) and yet also too much of one (“Her ambition is unseemly! She took her husband back! She’s too emotional! She’s weak!”). There is a simple, inescapable fact at play here: women have a harder time getting any respect, even if—especially if—they have any power. ... "
" ... I’m sure Demi Burnett is a nice person but any time she comes anywhere near a WWE storyline it falls apart due, in part, to how WWE uses her as a ditzy object of affection. ... "
" ... The fact that both leads are better when they're comedic foils than straight leads may also be an issue. People forget because they tend to focus on her movie-star looks, but Kunis came to fame as the ditzy Jackie on That '70s Show and the outcast Meg on Family Guy. Her biggest onscreen successes come when she's allowed to play things more broadly; I mean, I'm a fan of Jupiter Ascending, but it's clear that wasn't the kind of role people wanted to see her in. Against McKinnon, though, she will never be the biggest laugh-getter in the room -- both need a more straight-laced actor or actress to bounce this stuff off of and give us a baseline for normalcy. Audrey starts off that way as a character, but the story has her progressively loving the danger more and more...which is the same basic arc McKinnon's Morgan has. If, for example, Morgan had progressively found she liked adventure less and less, it would be a more conflict-driven dynamic. Morgan is best when McKinnon plays her as an underdog over her head, in part because we don't see that from McKinnon much on SNL, where her characters tend to be the most confident ladies in the room, merited or otherwise. But when the climax forces her into a trapese act, and Morgan says she's always wanted to do that, we wonder: why didn't the movie tell us this key factoid at any earlier point in the story? ... "