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" ... As this giving circle movement builds, it is important to also note that there are powerful personal realizations one can make when investing their full selves in a process of collaborative giving with support from organizations like Philanthropy Together. For Alayah Glenn, founder of Rushing River Giving Circle and a recent Launchpad For You participant, Launchpad gave her that exact experience and perspective to deepen into her role as a leader in philanthropy.“I learned that giving circles are far from what I had for so long considered when I thought about philanthropy. They are part of a deep, rich cultural identity rooted in diasporic communities across the world.” ... "
" ... Born in Brooklyn and raised in Kingston, Jamaica, Richards was an Afro-Caribbean artist whose sculptural and drawing practice reflected on issues of racial inequity, anti-blackness and diasporic identity. This marks the first museum retrospective of his works and will be on view from April 21 through October 10, 2021, running through the 20th anniversary of 9/11. ... "
" ... Showcasing films, documentaries, podcasts, music, factual content, and articles, IBHHM is an immersive journey of Black Heritage and the global African descent. Black history and its experiences are scattered and compartmentalized around the globe and exist differently for each region. At the core of International Black Heritage + History Month, the mission is to showcase the roots of African diasporic culture among the unique and various factions of the world. ... "
" ... “...the beauty of Kelewele is that it shows the diversity of a diasporic food, celebrates my African roots, and brings people of African, and African diasporic cultures together on the premise of healthy eating, community and culture. This global love for plantains has been inspiring to me as I watch Kelewele connect people from all parts of the world through a shared cultural experience.” ... "
" ... “Black Rock Senegal came out of a direct need to engage Africa in a much more personal way,” Wiley comments. “I discovered Dakar on a layover in 1997, back when Air Afrique was the sole provider of flights from the West to Nigeria. It was my first visit to Africa and I was immediately enraptured by Senegalese language, food, art, culture and tradition. After years of exploring the continent’s many cultures and countries, I had a personal desire to create a workspace in West Africa. As an artist who works in the West, I desired a space of renewal to explore new ideas and to create work outside of a Western context – to create work within the context of my own lineage. My goal is that Black Rock becomes a disease, a cancer that spreads across Africa or this sort of diasporic black experience, whether that be in Venezuela, Colombia, Brazil or Africa. Why not? Enlist new artists and architects, create new spaces, allow people of goodwill to support those institutions and let artists go to those places and create great work.” At the moment, he is also setting up an art studio in Lagos, Nigeria, built by British-Ghanaian architect, David Adjaye. ... "