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" ... An octagonal glass greenhouse modeled after those found in a courtly garden is filled with a tower of brightly colored, transparent cast-resin desserts reminiscent of classic gelation molds. On Saturday, the mighty sunlight illuminated the display installed on Storm King Art Center’s Museum Hill, the faux confections glistening, almost glittering. Delightful from a distance, a closer inspection reveals fake insects, such as beetles and flies, adorning what looks like a menagerie of after-dinner offerings rotating at a 1970s family restaurant. ... "
" ... Bluntly put, if the French case against Brunel is successful, Roberts Giuffre's accusations of Andrew will graduate in gravitas. That is not to say that her accusations of the prince will then be acted upon by American or British prosecutors, Andrew's disadvantage upon a possible Brunel conviction is more indirect, but nevertheless broad. But a conviction of Brunel, based in part on Roberts Giuffre's extensive testimony, will confer a gold stamp of courtly verification upon Ms. Roberts Giuffre's general narrative of her experience at the hands of Jeffrey Epstein and Ghislaine Maxwell, and that experience very much includes her three alleged sexual encounters with Prince Andrew, one of which is supposed to have taken place on Epstein's private island in the U.S. Virgin Islands. ... "
" ... The book, co-authored by Aldo Cipullo’s brother Renato Cipullo and renowned jewelry historian and author Vivienne Becker delves deeper into the designer’s career, revealing his background, his inspirations and his love of New York City and how he translated all that influenced him. It also display the radical changes he instigated that helped define the style of jewelry of the late 60s and the 70s that is still being worn today. In the book it is noted that he referred to his work and designs as “the transition from formal, courtly, extravagant precious jewels to everyday talismans that encapsulated and reflected the world around them.” ... "
" ... There is exactly none of the heavy, courtly, castle-and-palace apparatus of the Royal Family at hand in Los Angeles, no Trooping the Colour, no balcony wave-offs with the Queen, no pheasant shoots, zero pomp, and even less circumstance. Perhaps they missed the memo, or forgot to look down occasionally, but that apparatus gave them the plinth upon which they were standing. The historical irony is that this is the structure that, in their first salvo from Canada to the world that they were leaving the monarchy, they claimed was suffocating them. ... "
" ... When you walk up to the store, you immediately get a glimpse inside a large window which displays numerous glorious pieces that range from Faberge (which the company specializes) to Falize, from Georgian through Art Deco. The outside is regal in its feeling of classicism. The architecture of the original space is brought into the shop but as you move further inside, the modernity and minimalist of gray tones seem the perfect backdrop for the ornamental and embellished styles of such periods as Rococo and Art Nouveau. The effect of the enameled and courtly gold and gemstone jewelry and objects (many of which once belonging to European royalty) pop from the neutral yet textured background which incorporates Welsh slate—a nod to Wartski’s Welsh heritage. The high ceilings and structure of the displays offering a feeling of sleek grandeur while never detracting from the jewels. One of my personal favorite touches is the lack of any locks on the showcases which are built, museum-style into the slate structures on the walls. Katherine is wearing a magnetic type square around her neck, which when placed up against the glass case ( James Bond style) begins to lift revealing the pieces in each display. ... "