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" ... 4. Story Telling: The experience is then tied together with fairy tale prose in the form of rhyming couplets ("Will someone please explain, how water falls with no rain"). It's a risky approach to story telling as there is a danger here of it feeling twee and too cute. However the balance seems good in the sections I've played. ... "
" ... This record I discovered late and I had been a fan, my whole life, of heavy music. First it was metal, then it was punk and then it was hip hop and the harder the better. It sort of tapped into my angst and latent aggression and when I heard Dylan's The Times They Are A Changin' it stopped me dead in my tracks. I said, "This might be the heaviest record I've ever heard in my life." And it opened me to the world of folk music. Three chords and a rusty razor of truth. Then it Was Bruce Springsteen's Nebraska and Phil Ochs and then I began writing my own songs. But the weight of those couplets and the songs on that record are so devastating and much heavier than a wall of Marshall stacks. "With God On Our Side" that last couplet of historical untruths, which he's been fed, but told to swallow them whole because God is on our side. And then he pivots in that last verse, "Through many dark hour I've been thinking about this/That Jesus Christ was betrayed by a kiss/But I can't think for you/You'll have to decide/Whether Judas Iscariot/Has God on his side." Meaning none of the Christian narrative of redemption and salvation turns, unless Judas has God on his side, was Judas was part of the plan. And if so what is right? It's such a heavy and surprising twist on what is a brilliant but surface-level treatis, which becomes this dark rumination on spirituality and what is at the core of good and evil. That's doing a lot for a pop song (laughs). ... "