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" ... Costner’s third directorial effort sees the filmmaker and actor delivering a new classic in the modern western sub-genre. Starring Robert Duvall, Costner and Annette Benning, the richly acted and thoughtful western climaxes with one of the greatest protracted onscreen shoot outs I’ve ever seen. The film opened right during the great Northeast Blackout of 2003, but strong reviews and good buzz helped the film leg out to over 4x its $14 million debut weekend. The $22 million flick totaled $68.3 million worldwide. ... "
" ... If you must blink, do it now! Laika’s first outright flop is possibly their best film yet. This visually striking and profoundly moving adventure story, set in ancient Japan and concerning a most unusual kind of family feud, is precisely the kind of thing that makes Laika the most exciting current film production company in the business. Yes, the stop motion animation is jaw-dropping and yes this is a step forward in terms of what they can show us. But the poignant and profound narrative, complete with one of the more surprising climaxes of the year, makes this the complete package. Since Focus and Illumination are both owned by Comcast, how about an “Illumination presents” tag on the next Laika movie so we can juice that box office a bit? ... "
" ... Rocky Balboa earned $70 million domestic and $156 million worldwide in 2006, while Rocky V (which climaxes with a street fight) earned $41 million domestic and $120 million worldwide in 1990. Clint Eastwood and Hillary Swank’s Million Dollar Baby earned $100 million domestic and $217 million worldwide in 2005, while Aaron Paul’s video game-based Need for Speed earned $43 million domestic, $66 million in China and $203 million worldwide in 2014. Otherwise, even if I missed one, every sports flick (A League of Their Own, 42, Remember the Titans, Sea Biscuit, Field of Dreams, The Fighter, White Men Can’t Jump, etc.) earned most of their money in North America. Even Tom Cruise’s Days of Thunder, four years after Top Gun earned $176 million/$356 million, grossed $83 million domestic and $158 million worldwide. ... "
" ... Things had changed a little, if not much, by the early Eighties. Recorded about twenty years after the First, this Fifth is less wild, not as bent on the climaxes, and musicality definitely overrules frenzy, but it’s a gorgeous, colorful, creamy, unhurried, and more importantly: unsweetened account of the Fifth. All the considerably mellifluousness there is – and there is much of that in it, especially in the faster-than-it-feels but still elegiac 10-minute Adagietto – is natural; with no artificial sweeteners added by Suitner. ... "
" ... [SPOILERS] Covenant basic structure includes a spaceship crew awakening early from cryogenic sleep, a mysterious signal or sign leading the crew to a strange world, a landing party discovering an alien ship and dead humanoid aliens, the release of an initial alien entity triggering the creation of another deadlier alien entity within human hosts, the crew hunted down and killed, and two specific third act turns mirroring the climaxes of each of the other three films in a smart sort of foreshadowing and homage to all of the conceptual connective tissue in those movies. [END SPOILERS] ... "