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" ... It is the knowing chumminess of a journalist finishing sentences for a White House official who is mocking other prominent Washington journalists for getting so easily spun – and then quoting himself as he finishes the sentence, even letting us know that he did so with a chuckle. (It takes a special kind of journalist to quote his own chuckle.) ... "
" ... Really terrific in every way is the Second Violin Concerto of Mario Castelnuovo-Tedesco’s, “The Prophets”, which his idol Heifetz had already championed, coupled with that written by Paul Ben-Haim (née Frankenburger). Also, the repertoire of Music for Two Violins – most notably Moszkowski, Prokofiev, and Bartók – is definitively covered by Perlman and Zukerman in their own way. This brings us full circle to the overarching ambivalence this set exudes for me: A monument to a style – and performer – that is impeccable in many ways, but also very dated to these ears. Itzhak Perlman stands for a time of classical music, of chumminess and personal relationships (not that those have gone out of the window, entirely) and a style and a sound that is decidedly late 20th century. He is an icon of that time, and this box is like an altar on which to do one’s prayers. (It’s just about big enough to fulfill that task, too!) Any performer could not ask for more than being treated to as luxurious, thoughtful, and practical box set (rivalled only by Sony’s new set of Stravinsky conducting Stravinsky), and no doubt Perlman deserves it. Almost leaves me with shame that I’m not better at appreciating his art. ¶ ... "