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" ... Not just hints: The finale of the Scherzo is as Bruckneresque as its get and could be straight out of the Fifth or Ninth Symphony. Even if Simpson didn’t think much of the work, his description is terrific and I could just go on quoting. The Trio in that movement provides a Ländlerish lyrical, chromatically shifting interlude that really brought out the continuously excellent strings of the Vienna RSO and their dark, zany, viola-esque sound – something I never remember having heard from that orchestra. Then, before long, Bruckner jams the dancing, fast and fascinating Scherzo theme back in, with absolutely brazen sharpness and off we are, again, to the races; to the Finale. No angelic, incense-laden Bruckner here! “Scherzo”? Tarantella! ... "
" ... When Eddie Martinez decided to take an extended, self-imposed sabbatical in 2010, he had just completed "The Feast," a raw, chromatically saturated triptych with implications of The Last Supper. There may have been no more succinct an allegory of his relationship with himself, the art world, and his practice at the time. ... "