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" ... "There are no more universal expressions of hope, doubt, longing, fear, vengeance, and grace than the Psalms. The only book in the Bible where humans address God directly, this poetry has spoken to those across world cultures and spiritual traditions for thousands of years," said Jane Moss, Lincoln Center's Ehrenkranz Artistic Director. "In these challenging times, this project looks to these ancient texts and the glorious choral music they've inspired to celebrate their unifying force and ask what they can teach us today as individuals and as a community." ... "
" ... In the dubious business of art theft, it's axiomatic that the goods must travel, often to other countries, but at a minimum away from the locus of the crime. We might like to think that all high-end stolen art travels discreetly first-class. So it was with considerably amused surprise, and not a little elation, that the art world greeted the news late Friday from the French customs police that they'd just recovered a million-dollar pastel by Edgar Degas, Les Choristes (1877), in the decidedly down-market luggage compartment of a public bus they somehow decided to search outside Paris on February 16th. The tiny, intense work, measuring just 10 by 13 inches, depicting the rousing choral finale of the first act of a performance of Mozart's Don Giovanni, Les Choristes had been stolen on the night of December 30-31, 2009, from Marseille's Musée Cantini, where it had been on loan from the Musée d’Orsay. ... "
" ... The musical value is so vast, that any of the above quibbles matter little to the dedicated Fricsian and the soon-to-be dedicated Fricsian. Volume II, with the choral and operatic repertoire is most eagerly anticipated. It is also the volume that would benefit even more from a little caring update over this effort, especially useful as it would contain multiple disc sets which the Callas set shows would do very well in their own little sleeves, containing all CDs of one opera in one physical unit. Even if these fanciful hopes and wishes won’t be fulfilled (chances are the product is already far into production), it will be another, rare, essential box for the classical music lover. ... "
" ... The spooky choral theme we first hear during the opening credits, in particular, enjoys a fantastic sense of scale, where all the different vocal tracks seem to sit on top of each other like bricks in a wall. The track is mixed for overheads and rears, too, encasing you in an otherworldly atmosphere that does a great job of, basically, making rabbits seem as scary as shit. ... "