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" ... Jacob Lawrence "Panel 3 from The Migration Series, From every Southern town migrants left by the ... [+] hundreds to travel north" (1940–41). Cropped casein tempera on hardboard, 12 in. × 18 in. The Phillips Collection, Washington, D.C.; acquired 1942. ... "
" ... Some of the animal ingredients used during the fining process are casein, chitin, egg whites, gelatin, and isinglass (from the swim bladders of fish). Fining is considered important because by encouraging microscopic particles out of the wine, the wine is less likely to become hazy or cloudy after bottling, making it more visually appealing. Fining also removes hydrogen sulfide and bitter flavors. It’s important to note that fining agents do not change the flavor of the wine. They are merely used to improve the stability and clarity of the wine. ... "
" ... That’s because the A2 beta casein, she adds, is close to breast milk. Over the years, a genetic mutation in cows has resulted in most dairy coming from cows with an A1 beta casein. That is why 13 years ago, the couple opted to breed the A1 trait out of their cows. While the science has been discussed for years, it’s still a rarity in American dairy to find herds entirely with the A2 beta casein. And Blake says that has primarily to do with economics: “They don’t want you to know.” ... "
" ... The suspension system was no longer just a means of decreasing material usage and making cheap mass-produced shelter available to everyone everywhere. According to Fuller, the structure would allow inhabitants to "overcome all the elements." The height of the house would prevent flooding, the triangulation of suspension cables would protect against earthquakes, and the octagonal symmetry would streamline the casein plastic shell so that it could withstand a tornado. Streamlining would also optimize the internal climate. Floor and roof vents would eliminate drafts caused by air turbulence, facilitating efficient heating in winter, providing natural air conditioning in summer, and vacuuming away dust throughout the year. Temperate and clean, the Dymaxion would bolster physical health, while mental health would be ensured by "drudge-proofing" the home with automated appliances to replace manual labor – including an instantaneous dishwasher – freeing people to improve themselves by reading under artificial daylight or watching broadcast lectures on television. And the energy bill to keep all this technology running? No problem. Fuel would be derived from human excrement via a waste packaging toilet. In fact, the house would be entirely self-sufficient, without any need to attach to municipal sewage and plumbing. (Showers would be taken with a pint of water sprayed through a "fog gun".) With air delivery, people could live anywhere, and move their whole household at will. Not only would this be the end of inner-city slums' disease and crime. It would also make real estate as meaningless as the ownership of the seas beneath a ship. The goal was nothing less than "to lick materialism as the basis of progress in the universe," Fuller informed the New York Architectural League. Or as he explained it to Time Magazine in 1932, a house "is not a property to be owned, but a mechanical arrangement to be used." ... "
" ... WLC:There will always be personal heroes- Cezanne for example because he taught us that all meaning both objective and subjective within a painting comes from putting one color next to another- I’m finding now though that by shifting a couple of things in the studio process and deploying new techniques like sewing I can apply this logic to all sorts of different materials; automotive paint can be used in concert with casein tempera and it works when it shouldn’t (paintings require unity after all) because of the manner in which they are constructed- they’re parts of a whole- so this opened the floodgates in terms of influence. I’ve been looking at a lot of lawn chair webbing, emergency vehicle decals and bodega signage at the moment- I like the sense of “everything” that happens when you put these random things with huge color and value range all together, it definitely feels like a gestalt hybrid or synthesis occurs that leads me right back to Mont St Victoire so to speak. There’s a large mural in the show, a kind of landscape of idiomatic shapes and colors that’s seen peripherally when viewing the paintings installed against it, giving the viewers a sense of the parent material the paintings evolved from. ... "