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" ... Efficient Powertrain — Hyundai offers three different four-cylinder engines under the hood of the Sonata, ranging from a naturally aspirated 2.4-liter to a turbocharged 2.0-liter. Each has its own redeeming qualities, but our favorite is the turbocharged 1.6-liter that is fitted standard in the Eco model. In the expansive automotive universe, it’s a physically small piece of machinery — consider that many family sedans are fitted with six-cylinder engines with more than twice the displacement — yet the engineers at Hyundai have used twin-scroll forced induction to coax 178 horsepower and 195 pound-feet of torque from the all-aluminum mill. It’s got plenty of power to move even a full carload of people, plus it squeezes an amazing amount of miles out of each gallon of gasoline — earning an EPA rating of 28 mpg city/38 mpg highway. During my week with the Sonata Eco, I effortlessly recorded 40-plus mpg across the expansive Los Angeles basin. My in-town mileage was a bit lower, averaging in the mid-20s, as I often pushed my right foot harder than necessary to enjoy the low-end punch of the turbocharged engine. ... "
" ... My own first memory of Sinatra is of him hitting somebody. In this case, a boy, his mildly defiant young son, in 1959’s A Hole In The Head. I saw it at a drive-in theater with a carload of siblings and cousins when I was younger than the kid in the film. I remember how startling it was to see the dad strike the boy, even though most of our parents' generation were hearty believers in corporal punishment. I was startled again watching the film as an adult to see how warm and sympathetic Sinatra actually is in the flick—I had evolved a notion of him through the years of being more or less a pugilist with pipes, a thug who could cut a rug (not to mention wear one well). My evaluation of him summarily evolved, and would continue to do so. ... "
" ... Watching a clip from that movie -- a montage in which we jump back and forth from one carload of teenage friends to another as they drive around at night listening to music -- Linklater recalled, "Each of those three scenes are oners." The three cars originally were filmed as their own sequences, and then edited together to create the montage later. One particular sequence involves three girls talking about another girl from school, but Linklater pointed out, "[That] scene wasn't in the original script. The actresses came up with that scene." Feeling their characters didn't have enough to do, the performers approached Linklater asking for additional screen time for their characters, resulting in that scene's creation. Unfortunately, Adair revealed, "The original sound of that wasn't usable. So we had to ADR that [automated dialogue replacement, i.e. re-record the audio]." ... "