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" ... L’Atlas describes how his work has evolved over the past 25 years, “It’s different and the same because I continue to write my name, even if it’s more abstract, kinetic or minimal. My challenge is to evolve and not be the same, yet not leave the spirit of graffiti because that’s why I’m here now. My canvases should speak to teenagers doing graffiti in the street and also to older collectors who like abstract or kinetic painting. This comes from my desire to not be put in just one box. My purpose every day is to enjoy my work, which isn’t easy for an artist because he’s in between what people want from him and what he really wants, in between the world’s dream and his own dream. I’m not a street artist actually; I’m a painter. I spend my time in my studio and when I do outdoor work, I do it with my assistant. The last building we painted, I only drew the design on paper, so I’m now more of a conceptual artist. That’s the paradox. Everybody calls me a street artist, but that’s not me. That’s what people want from me. I don’t need to do the project by myself anymore, to do things with my own hands to prove something. I’m older now, so it’s not the same energy as when I was 20 and wanted to exist through my acts. Now I want to exist through my ideas.” ... "
" ... Metz created the canvases in his Sean Kelly show with a meticulous process that involves painting a custom dye—he created it over the course of several years, working with a pigment company in California to get the ideal formula—on to a canvas to form a shape, and then repeating it several times on numerous canvases so that they can be installed together to create a repetitive pattern, or stand alone individually. The shapes stay the same, but the gradation of the dye varies depending on the way it’s absorbed into the canvas. ... "
" ... Monet’s paintings early on sold for 100 francs, less than the value of their frames. Bankers’ loans to dealers were based on the frames, not the canvases they enclosed. Edgar Degas and Alfred Sisley saw bailiffs at their door, demanding their studio furniture. They were mockingly called Impressionists and soon forgotten. ... "
" ... The Marchesi de’ Frescobaldi family has produced wine in Italy for 30 generations and 700 years. Scrolls in the family library include an order made by King Henry VIII of England for their wine, and the renaissance artist/sculptor Michelangelo exchanged canvases for their vintages. Initially, Ornellaia was a partnership with Robert Mondavi of Napa Valley, California, before the Frescobaldi family acquired the entire estate. ... "