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" ... Bourgeois, while remaining elastic in her attitude towards the objects she created, nevertheless emphasized the importance of thematic coherence. It was not how she said what she said, but what she was trying to say, that was important. Simply as someone with an appreciation of certain provocative aesthetics in artwork, there is always a cathartic joy in looking at Bourgeois’ output. She used the grotesque and the ugly to expel her own demons related to feminine oppression, fractured familial obligations, and general personal unease. Bourgeois’ work reinforced the practice of art making as a personal one. Her subject was herself, her thoughts, her anxieties. Any politics that critics place upon her body of work can only be read through the prism of Bourgeois herself. That is why the work endures, shocks, and awes today. ... "