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" ... Grrrr . . . I truly hate these types of FINRA Arbitration Decisions, which tend to leave far too many questions unanswered (and, to boot, toss in a few additional questions that we didn't need to deal with). For example, one would think that when a FINRA arbitrator essentially admonishes a Respondent for not responding to the claims with sufficient clarity as to make heads or tails out of what's being denied, admitted, or explained, the case will likely conclude very favorably for the Claimant. How, then, are we to explain why Claimant got only about half of the principal sought on the promissory note? ... "
" ... The exhibit, The Year they Walked 1955-56 is one of the museum’s most moving and dramatic. Visitors are directed to board a full-sized bus refitted to retain the authentic look from 65 years ago. Here one can sit near a plaster sculpture of Rosa Parks with her iconic and confident expression, gazing out the window at a world struggling with transition. The visitor is immediately transported to 1955 as the plaster bus driver, through a recorded loop, admonishes: ... "
" ... We control almost nothing, but we can take responsibility for how we react, feel and, thus, show up in the world. O’Neal admonishes, “With all the chaos, I still have a choice. I get to decide how I will be about this with myself. I am in charge of what happens with me, inside of me, with this. We can create choice inside of ourselves. Simple concept, but not always easy.” ... "
" ... “You don’t want to draw from stereotypes,” Catmull admonishes. “We ask people to go out and find something they didn’t know. In the case of Ratatouille, the team had a tough task— to go to Michelin Star French restaurants.” They didn’t stop at tastings. “The trick isn’t to go to the restaurant, it’s going into the kitchen.” The question is, “what takes place in a high-end kitchen? If you bring real elements into [the film], people may not know if it’s true, but they sense it’s real.” ... "